Alan Ladd, Veronica Lake, and William Bendix in “The Blue Dahlia”

The Blue Dahlia is a 1946 film noir, directed by George Marshall, about Johnny Morrison (Alan Ladd), a decorated naval aviator who returns home from the war to find his wife, Helen (Doris Dowling), has been unfaithful. After a heated confrontation, Johnny leaves, only to learn later that Helen has been murdered. The police, led by Captain Hendrickson (Tom Powers), quickly make Johnny their prime suspect. As he attempts to clear his name, Johnny becomes entangled in a web of deceit involving Helen's new lover, the charming nightclub owner Eddie Harwood (Howard da Silva), and Harwood's estranged wife, Joyce (Veronica Lake).

Johnny, with the help of his friends and fellow veterans Buzz (William Bendix) and George (Hugh Beaumont), tries to piece together the events of the night of the murder. He discovers that his wife, Helen, was a troublesome alcoholic and that Eddie Harwood's business partner, “The Man with a Gun”  Leo, had a long-standing feud with her. The film’s plot is driven by Johnny's race against time to uncover the truth and prove his innocence. He forms an unlikely alliance with Joyce, who also suspects her husband is involved, and together they navigate the seedy underbelly of the Los Angeles nightclub scene.

Alan Ladd and Veronica Lake

George Marshall (1891-1975) was an American film and television director, screenwriter, producer, and actor. Born in Chicago, Illinois, Marshall dropped out of the University of Chicago and worked various jobs, including as a mechanic, logger, and newspaper reporter, before entering the film industry. He began as an extra in 1916 and quickly moved into directing, with his early work consisting mostly of westerns and comedies. He directed films for various studios, including Fox, Universal, and Paramount, and worked with notable actors such as Laurel and Hardy, W.C. Fields, and Bob Hope. Later in his career, he also directed television series. He received a Star on the Hollywood Walk of Fame in 1960.

Marshall directed films across many genres throughout his career, which spanned over 50 years. He is known for his work on movies such as Destry Rides Again (1939) and The Blue Dahlia (1946). He also co-directed How the West Was Won (1962), for which he directed the railroad segment. Marshall died in Los Angeles, California, in 1975 from pneumonia.

Alan Ladd (1913 – 1964) was an American actor and film producer. Before Ladd made in big in movies, he had a successful career on the radio. After numerous bit parts at just about every Hollywood studio, Paramount signed him to a long-term contract and crafted roles that propelled him to superstardom. Ladd established himself in films noir like This Gun for Hire (1942), The Glass Key (1942), and The Blue Dahlia (1946). Other important films include Two Years Before the Mast (1946) and The Great Gatsby (1949). Ladd also established himself in the western genre, starring in Whispering Smith (1948) and one of the most famous westerns of all time, George Stevens’s Shane (1953). George Stevens offered the role of Jett Rink in Giant (1956), but Ladd turned it down because it wasn’t the lead. Ladd’s last film was in a supporting role in The Carpetbaggers (1964).

Veronica Lake (1922 - 1973) was an American film, stage, and television actress. She was a popular star of film noirs, often paired with Alan Ladd in the 1940s. She was also famous for her peek-a-boo hairstyle. Her home studio, Paramount, dubbed her the peek-a-boo girl. Women and girls all over the world copied her hair-over-one-eye hairstyle. Lake became an overnight sensation with her role in I Wanted Wings (1940). During the height of her career, Lake was making $4,500 a week. Some of her popular films include Sullivan’s Travels (1941), This Gun for Hire (1942), The Glass Key (1942), So Proudly We Hail! (1943), and The Blue Dahlia (1946). Lake’s career declined due to her struggle with alcoholism. She died from cirrhosis of the liver in 1973. She was 50 years old.

William Bendix (1906 – 1964) was an American film, radio, and television actor. Bendix usually played rough guys, gangsters, and blue-collar characters. In 1942, he was nominated for a Best Supporting Actor Oscar for his performance in the World War II drama Wake Island. As a youngster, Bendix was a batboy at Yankee Stadium. He was fired for buying Babe Ruth a hot dog and soda before the game. Bendix starred in several classic films noir, including The Glass Key (1942) and Blue Dahlia (1946). Perhaps his greatest role was as Chester A. Riley, a role he played on radio and television to great success.

The Blue Dahlia trivia

• The film was rushed into production because Alan Ladd was called to military service.  When the script was completed, men over thirty were released from service.
• Cars with the “B” sticker on their windshield could only purchase eight gallons of gas per week. Gas was rationed during World War II.
• This was Raymond Chandler’s first original screenplay without a collaborator. Chandler drank heavily to help him meet the deadline and worked from home, which was unheard of during the studio era.
• Fourth film pairing of Ladd and Lake.
• Raymond Chandler objected to Veronica Lake being in the film. He didn’t think she was a good actress. He also thought director George Marshall was a hack. 

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Discussion questions

1. The character of Johnny Morrison is a returning veteran who finds his life in disarray. How does the film use his character to explore the themes of post-war disillusionment and the challenges faced by soldiers reintegrating into civilian society?
2. The Blue Dahlia is a classic example of film noir. Discuss how the film utilizes common noir tropes, such as shadowy cinematography, a cynical protagonist, and a femme fatale, to tell its story. How do these elements contribute to the film's overall mood and tone?
3. Raymond Chandler, a master of hardboiled fiction, wrote the screenplay for The Blue Dahlia. How is his signature style evident in the film's dialogue, plot, and character development? Do you think the film effectively captures the essence of his literary work?
4. The film presents several complex female characters, particularly Helen and Joyce. How do their roles challenge or conform to the stereotypical portrayals of women in 1940s cinema? What do their actions reveal about the social and moral landscape of the time?
5. Buzz, one of Johnny's friends, suffers from a psychological condition related to his combat experience. How does the film portray his struggles, and what does his character add to the film's exploration of the lasting impact of war?

Ladd, Lake, and Donlevy star in “The Glass Key”

The Glass Key (1942) is an American film noir directed by Stuart Heisler and starring Brian Donlevy, Veronica Lake, and Alan Ladd. The supporting cast includes William Bendix, Bonita Granville, Richard Denning, and Joseph Calleia.

The Glass Key centers on Ed Beaumont (Alan Ladd), the trusted right-hand man of political boss Paul Madvig (Brian Donlevy). When a local gangster, Shad O’Rory, is found murdered, suspicion immediately falls on Madvig, especially since he had recently been publicly feuding with Shad over the affections of Janet Henry (Veronica Lake), the daughter of a powerful senator whom Madvig intends to marry. Ed, despite his personal feelings for Janet, is fiercely loyal to Madvig and sets out to clear his name. He dives deep into the seedy underworld, navigating corrupt politicians, rival gangsters, and the cynical social circles of the elite, all while facing threats and beatings designed to deter him.

As Ed investigates, he uncovers a tangled web of deceit, betrayal, and hidden motives. 

 

Stuart Heiser (1896 – 1979) was an American film and television director. Heisler started out as a film editor from 1921 to 1936. He then worked as a director for the remainder of his career. He directed films starring Bing Crosby, Fred Astaire, Gary Cooper, and Loretta Young. He directed Susan Hayward in Smash-Up, the Story of a Woman, considered her breakout performance. She earned her first Best Actress Academy Award nomination for her performance. Other films directed by Heiser include Along Came Jones (1945), Blue Skies (1946), Tulsa (1949), Dallas (1950), The Star (1952), and I Died a Thousand Times (1955).

Brian Donlevy (1901–1972) was an American actor noted for playing tough guys in movies. He mostly worked as a supporting actor, but sometimes played the lead, as in the Preston Sturges classic The Great McGinty (1940). Donlevy worked in the theater but soon found regular work in silent films. He transitioned to sound pictures and starred in “A” and “B” pictures at most of the major studios. He supported the biggest stars of Hollywood’s Golden Age, including Robert Taylor, Barbara Stanwyck, Gary Cooper, Marlene Dietrich, and Bing Crosby.

Veronica Lake (1922 - 1973) was an American film, stage, and television actress. She was a popular star of film noirs, often paired with Alan Ladd in the 1940s. She was also famous for her peek-a-boo hairstyle. Her home studio, Paramount, dubbed her the peek-a-boo girl. Women and girls all over the world copied her hair-over-one-eye hairstyle. Lake became an overnight sensation with her role in I Wanted Wings (1940). During the height of her career, Lake was making $4,500 a week. Some of her popular films include Sullivan’s Travels (1941), This Gun for Hire (1942), The Glass Key (1942), So Proudly We Hail! (1943), and The Blue Dahlia (1946). Lake’s career declined due to her struggle with alcoholism. She died from cirrhosis of the liver in 1973. She was 50 years old.

Alan Ladd (1913 – 1964) was an American actor and film producer. Before Ladd made in big in movies, he had a successful career on the radio. After numerous bit parts at just about every Hollywood studio, Paramount signed him to a long-term contract and crafted roles that propelled him to superstardom. Ladd established himself in films noir like This Gun for Hire (1942), The Glass Key (1942), and The Blue Dahlia (1946). Other important films include Two Years Before the Mast (1946) and The Great Gatsby (1949). Ladd also established himself in the western genre, starring in Whispering Smith (1948) and one of the most famous westerns of all time, George Stevens’s Shane (1953). George Stevens offered the role of Jett Rink in Giant (1956), but Ladd turned it down because it wasn’t the lead. Ladd’s last film was in a supporting role in The Carpetbaggers (1964).

 

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Brian Donlevy, Veronica Lake, and Alan Ladd

The Glass Key trivia

• William Bendix accidentally knocked Alan Ladd in a fight scene.
• This was a remake of the version first filmed in 1935, starring George Raft in the Ladd role.
• Paulette Goddard was originally cast in the role of Janet Henry, but had to drop out due to a prior commitment. It was announced that Patricia Morison would replace her, but after the producers saw the chemistry between Lake and Ladd in This Gun for Hire (1942), Lake was cast as Janet.
• This was the second of the four Ladd/Lake pairings.

 

Discussion questions

1. What do you think of the second pairing of Veronica Lake and Alan Ladd?
2. Some film noir plots are hard to follow, or in some cases, are second to the relationships between the male and female characters. Was the plot of this film hard to follow?
3. What did you think of the supporting cast? Did anyone's performance stand out to you?
4. Did anything surprise you?
5. Was the ending satisfying, believable?

Fredric March and Veronic Lake in Rene Clair’s “I Married a Witch”

I Married a Witch (1942) is a romantic comedy fantasy directed by René Clair and starring Fredric March and Veronica Lake. The cinematography is by Ted Tetzlaff, the music by Roy Webb, and the costumes by Edith Head.

The plot concerns two witches in colonial Salem, Jennifer (Lake) and her father, Daniel (Cecil Kellaway) burned at the stake because of the testimony of Puritan Jonathan Wooley. 

Their spirits, imprisoned by a tree, are released when the tree is struck by lightning. Vowing revenge on Wallace Wooley (March), a descendant of Jonathan Wooley, who is running for governor and engaged to Estelle Masterson (Susan Hayward), the spoiled daughter of Dr. Dudley White (Robert Benchley), a friend and political supporter of Wallace, Jennifer comes up with a devious plot to destroy him.

Through a strange twist of fate, Jennifer’s affections change toward Wooley, much to the dismay of her father, who is determined to seek revenge.

Will Jennifer have the strength to defy her father and let love triumph over witchcraft?

Veronica Lake and Fredric March

René Clair (1898 - 1981) was a French film director and writer. He directed silent films in his native France, but was lured to Hollywood, where he directed five films. His first American film was The Flame of New Orleans (1941), starring Marlene Dietrich. The film was not a success, and it would be a year before he made another American film. His most popular American film was And Then There Were None (1945), based on Agatha Christie’s novel of the same name. After World War II, Clair returned to France, where he was considered one of that country’s best film directors.

Fredric March (1897 - 1975) was an American actor and two-time Best Actor Academy Award winner. Also a famous stage actor, March won two Tony Awards as well and is one of a few actors to have won both the Academy Award and the Tony Award twice. March was an immediate success in films, receiving his first Best Actor nomination in 1930. He won his first Best Actor Oscar for Dr. Jekyll and Mr. Hyde (1932) and his second for The Best Years of Our Lives (1946). During the 1930s and 1940s, March was a popular leading man starring opposite Greta Garbo, Joan Crawford, Janet Gaynor, Norma Shearer, Katharine Hepburn, and Carole Lombard. March continued acting on stage and in films until 1973, two years before his death from cancer.

Veronica Lake (1922 - 1973) was an American film, stage, and television actress. She was a popular star of film noirs, often paired with Alan Ladd in the 1940s. She was also famous for her peek-a-boo hairstyle. Her home studio, Paramount, dubbed her the peek-a-boo girl. Women and girls all over the world copied her hair-over-one-eye hairstyle. Lake became an overnight sensation with her role in I Wanted Wings (1940). During the height of her career, Lake was making $4,500 a week. Some of her popular films include Sullivan’s Travels (1941),  This Gun for Hire (1942), The Glass Key (1942), and So Proudly We Hail! (1943), and The Blue Dahlia (1946). Lake’s career declined due to her struggle with alcoholism. She died from cirrhosis of the liver in 1973. She was 50 years old.

I Married a Witch trivia:

• Veronica Lake and Fredric March did not get along at all during filming. Before production, March said that Lake was “a brainless little blonde sexpot, void of any acting ability.” Lake got back at him by playing practical jokes like hiding a 40-pound weight under her dress for a scene where March had to carry her.
• Sol Saks, creator of Bewitched, considered this film as inspiration for the classic television series.
• Veronica Lake and co-star Susan Hayward were both born in Brooklyn.
• Preston Sturges was the original producer but quit the film over differences with Rene Clair.
• The film was made at Paramount and sold to United Artists.

The poster captures Veronica Lake’s iconic look.

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Both prints are excellent.

Why watch this film?

• It is one of the few American films directed by René Clair.
• The supporting cast boasts some of the best actors working in Hollywood at the time.
• Veronica Lake was a national sensation due to her cool persona and peek-a-boo hairstyle.
• Although Lake and Fredric March didn’t like each other, you would never know it due to their believable performances on screen.
• This film influenced other fantasy films to come, including Bell, Book, and Candle (1958).

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Discussion questions:

1. Do you think the film would have been the same had the director been American?
2. Did you think that Lake was untalented, as Fredric March supposedly said?
3. What was your favorite scene, piece of dialogue, and so on, from the film?
4. Did you have a favorite character?
5. Did anything about the film surprise you?

Veronica Lake, Robert Preston, and Alan Ladd in “This Gun for Hire”

Release date: May 13, 1942

Director: Frank Tuttle

Story by: Graham Greene

Adapted from: A Gun for Sale

Veronica Lake and Alan Ladd

This Gun For Hire, based on the novel by Graham Greene, was released in 1942, long before the label “film noir” was invented. As an early film in the genre, some of the plot devices that we associate with film noir are here: A killer who is a major protagonist, a cool female lead, an honest-by-the-book cop, and a double-crossing villain.

The plot concerns a hired gun named Raven (Alan Ladd) who has been double-crossed by a man named Willard Gates (Laird Cregar) who represents a chemical company that may be working with enemies abroad, selling them poison gas. To keep tabs on Gates, the U.S. government enlists a beautiful novelty entertainer named Ellen Graham (played by Veronica Lake). Ellen is a magician who sings while she performs her magic act. She auditions for Gates, who, in addition to his duties at the chemical company, owns a popular nightclub. Her audition captivates Gates, and he hires her.

Straight and vicious—that’s what this picture is. But it is a good cut above the average, both in its writing and its tensile quality. Bosley Crowther, The New York Times

While on a train to perform at Gates’s Neptune Club, she accidentally runs into Raven. Gates, also on the same train, sees the two sitting next to each other. He assumes they’re working together, which sets him on edge and puts Ellen’s life in danger. Ellen’s cop boyfriend, Michael (Robert Preston), does his best to save her and capture Raven.

Lake was an established star when the movie was released. Ladd, as Raven, gave a breakout performance, making him an overnight sensation. New York Times movie reviewer, Bosley Crowther, compared Ladd’s performance to James Cagney’s in The Public Enemy a decade earlier. In his 1942 review of the film, he said, “Keep your eye peeled for this Ladd fellow; he’s a pretty-boy killer who likes his work.” Crowther also complimented the leading lady: “Miss Lake is a competent customer, and handles her men with cool disdain.”

The chemistry between Lake and Ladd was noted by the public and the executives at Paramount. It didn’t hurt that Lake was 4'11" tall, making her the only leading lady Ladd worked with who was shorter than he was. Ladd was reported to be 5'5" tall. The two costarred in a total of four films, all of which were very popular with critics and 1940s film audiences.

Publicity photo with Ladd, Lake, and Preston

This Gun for Hire trivia

• Ladd and Lake made six more movies after This Gun for Hire: The Glass Key (1942), The Blue Dahlia (1946), and Saigon (1947). They also appeared as themselves in  Star Spangled Rhythm (1942), Duffy’s Tavern (1945), and Variety Girl (1947). 
• In the novel, Raven’s motivation for becoming a killer was due to his mother disfiguring his face. Paramount didn’t want Ladd’s handsome face to be maimed, so they had his aunt permanently cripple his wrist with a red-hot flatiron.
• The film was released five months after the bombing of Pearl Harbor.
• Nineteen-year-old Yvonne De Carlo appears as one of the showgirls at the Neptune Club. She’s uncredited.
• Laird Cregar was borrowed by Paramount from 20^th Century-Fox for this picture.

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Discussion questions

1. This is considered an early must-see film noir. Would you recommend this film to your friends?
2. What did you think of the pairing of Alan Ladd with Veronica Lake? Do you see what audiences in 1942 saw?
3. Some of the violence was shocking to audiences in 1942. Is any of the violence in the film shocking or surprising to you?
4.  Was Laird Cregar convincing as Willard Gates?
5. Robert Preston was originally up for the role of Raven. The director thought Ladd presented a more menacing characterization. Do you think the film would have been the same if the roles were reversed? 

Ray Milland and Charles Laughton head the cast in “The Big Clock”

The Big Clock (1948) is an American film noir directed by John Farrow and starring Ray Milland and Charles Laughton. The supporting cast included Maureen O’Sullivan (Mrs. John Farrow), George Macready, Rita Johnson, Harry Morgan, and Elsa Lancaster (Mrs. Charles Laughton).

When George Stroud, editor-in-chief of Crimeways magazine, refuses to follow up on a missing person story because he wants to go on a long-postponed honeymoon with his wife, Georgette (O’Sullivan), and young son, he is fired by his boss, Earl Janoth (Laughton).

George drowns his sorrows at a bar where he meets Janoth’s mistress Pauline York (Johnson). George loses track of time and misses his train for his honeymoon. Disgusted, Georgette leaves without him. George spends more time with Pauline and he buys a painting and a sundial.

George eventually goes to Pauline’s apartment. He has no idea how this one action will change his life forever.

 

John Farrow (1904 – 1963) was an Australian film director, producer, and screenwriter. He did most of his film work in the United States. He won an Academy Award for Best Adapted Screenplay for Around the World in Eighty Days and was nominated for an Academy Award for Best Director for Wake Island (1942). Farrow’s best success came as a contract director at Paramount Pictures. At Paramount he directed China (1943) starring Alan Ladd and Loretta Young, Two Years Before the Mast made in 1944, but released in 1946, Calcutta (1947), California (1947), and The Big Clock (1948). After he left Paramount, his directorial career was diminished and he never again had a major film success.

Ray Milland (1907 – 1986) was a Welsh-American movie star and film director. He won a Best Actor Oscar for portraying an alcoholic writer in Billy Wilder’s The Lost Weekend (1945). Milland played bit parts at M-G-M and Paramount. While at Paramount, he was loaned to Universal to for a lead in the Deanna Durbin movie Three Smart Girls (1936). The success of the film led to him being cast in leading roles. He became one of Paramount’s biggest stars, remaining there for almost 20 years. Other films starring Milland include The Major and the Minor (1942), Reap the Wild Wind (1942), where he had top billing over John Wayne, the horror classic The Uninvited (1944), The Big Clock (1948), and Dial M for Murder (1954). Later in his career, he starred as Ryan O’Neal’s father in Love Story (1970).

Charles Laughton (1899 – 1962) had a long career on the stage and in Hollywood. He won an Academy Award for Best Actor for his portrayal of Henry VIII in The Private Life of Henry VIII (1933) and was nominated for two other Best Actor Oscars for his performances in Mutiny on the Bounty (1933) and Witness for the Prosecution (1957). His performance in The Suspect is considered one of Laughton’s most natural screen performances, which is credited to director Siodmak, a close personal friend of the actor.

 

Ray Milland and Charles Laughton in a publicity still

The Big Clock trivia

• Earl Janoth (Charles Laughton) is based on Henry Luce, the author of the novel on which the movie is based, who worked for.
• Paramount insisted that Maureen O’Sullivan audition for the role of Georgette Stroud.
• George Stroud’s $30,000 a-year salary is equivalent to over $388,000 a year today.
• Noel Neill, played the uncredited elevator operator before she played Lois Lane on the Superman television show.
• Ray Milland, Charles Laughton, and Maureen O’Sullivan previously co-starred in Payment Deferred in 1932.

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Rita Johnson and Ray Milland

Discussion questions

1. The Big Clock has a reputation as one of the top films noir from the 1940s. What do you think?
2. Some critics don’t consider The Big Clock a film noir. What do you think? If not a film noir, what genre would you classify it as?
3. Does the screwball humor with Elsa Lancaster add to the movie’s plot? Do you think it’s overdone or appropriate?
4. What did you think of Ray Milland’s performance? How does it compare to his performance in The Lost Weekend?
5. Were Milland and Maureen O’Sullivan believable as a married couple?
6. What about Charles Laughton's performance? Was he believable as the boss from hell? Did Meryl Streep’s character seem human compared to Earl Janoth?
7. Did John Seitz’s (Double Indemnity, Sunset Boulevard) cinematography add to the suspense of the film?
8. Was there a piece of dialogue or a particular scene that stuck out to you?

John Payne and Colleen Gray star in “Kansas City Confidential”

Kansas City Confidential (1952) is an American film noir directed by Phil Karlson and starring John Payne, Coleen Gray, and Preston Foster.

A ruthless ex-cop named Mr. Big (Foster) is planning an armored car heist. Part of the plan is to use a florist delivery truck, similar to the one real-life delivery man Joe Rolfe (Payne) drives.

The robbery goes as planned, and Rolfe is arrested instead of the robbers. The police are convinced that he is the mastermind of the heist and try to beat a confession out of him.

Rolfe is eventually released when his alibi checks out and the real robbery vehicle is found. However, the damage has been done. Rolfe loses his job and reputation and is determined to fight to get it back.

Phil Karlson (1908 – 1982) was a Chicago-born and raised American film director specializing in B pictures at various studios. Karlson was the original choice to direct Dr. No (1962), but his salary requirements were too high. He made a series of successful films noir with actor John Payne in the 1950s. He directed Elvis Presley in Kid Galahad (1962), one of the biggest box office successes of that year. Later in his career, he directed Dean Martin in two films in the Matt Helm series, The Silencers (1966) and The Wrecking Crew (1968). He had a huge success in 1973 with Walking Tall. Its success made him a very rich man since he owned a percentage of the film. Other films directed by Karslon include Hornet’s Nest (1970) starring Rock Hudson, and Ben (1972).

John Payne (1912 – 1989) was an American film actor. He made his film debut in Dodsworth (1936). He had roles at various studios but found stardom at 20^th Century-Fox. At Fox, he had major roles in Tin Pan Ally (1940), Sun Valley Serenade (1941), The Dolly Sisters (1945), The Razor’s Edge (1946), and perhaps his most famous role as Fred Gayley in Miracle on 34^th Street (1947). Payne wasn’t happy with the roles he was being offered at Fox, so he broke his contract, which had four more years to go. As an independent freelance actor, Payne then specialized in westerns and films noir. During this period, he starred in Kansas City Confidential (1952), 99 River Street (1953), and Santa Fe Passage (1955). From 1957 to 1959, he starred as Vint Bonner in the western TV series The Restless Gun. Payne’s final role was in an episode of Columbo in 1975.

Colleen Gray (1922 – 2015) was an American actress who was under contract to 20th Century-Fox in the 1940s. She was in the film noir, Kiss of Death (1947) with Victor Mature and Richard Widmark. She also had a role in Red River (1948) with John Wayne. In the 1950s, she started working in television, guest-starring in many popular shows of that period.

John Payne and Coleen Gray

Kansas City Confidential trivia

• John Payne broke some of Jack Elam’s ribs in a fight scene.
• Quentin Tarantino said that Reservoir Dogs was inspired by this film.
• The $1.2 million stolen from the bank is the equivalent of $12 million today.
• Coleen Gray and John Payne became romantically involved during the filming.
• None of the film was shot in Kansas City. All shots of Kansas City are stock footage.

 

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Discussion questions

1. As caper movies go, where do you think it ranks?
2. Director Quentin Tarantino said this film inspired Reservoir Dogs. Did this film remind you of any other caper films you’ve seen?
3. Do you think the heist was believable?
4. Did the budding romance between Rolfe and Helen add or detract from the film?

Glenn Ford and Gene Tierney want to know “The Secret of Convict Lake”

The Secret of Convict Lake (1951) is an American Western film directed by Michael Gordon and starring Glenn Ford, Gene Tierney, Ethel Barrymore, and Zachery Scott. The cinematography was by Leo Tover (The Snake Pit, The Heiress, and The Day The Earth Stood Still).

Six convicts escape from a Carson City prison in 1871 during a blizzard. One freezes to death, while the others find their way to Lake Monte Diablo, where eight women are on their own while their men are away prospecting. At first, the women are reluctant to have anything to do with the convicts, but eventually, they break down and offer them shelter and food. One of the men, Jim Canfield (Ford) is looking for the man who lied about him on the witness stand, which resulted in him going to prison. The man Canfield is looking for, Rudy Schaefer (Harry Carter) happens to be the man one of the women, Marcia Stoddard (Tierney), is planning to marry. Carter stole $40,000 and perjured himself, which led to Canfield being convicted of killing a mine owner and stealing his money. The convicts traveling with Canfield are convinced he hid the money somewhere in Lake Monte Diablo. Canfield denies he has the money hidden and explains he is only out for revenge; he plans on killing Schaefer for putting him in jail.

Will Canfield be successful in his quest for revenge? And what about the other convicts? What will their fates be?

Gene Tierney with rifle, flanked by Ann Dvorak on her right and Ruth Donnelly on her left; Ethel Barrymore in the doorway with a pistol

Michael Gordon (1909 - 1993) was an American film director who directed a wide variety of movies including melodramas, films noir, and comedies. His career as a director spanned almost 30 years. Some of his films include Cyrano de Begerac (1950), Pillow Talk (1959), Boys' Night Out (1962), and Move Over, Darling (1963). Actor Joseph Gordon-Levitt is his grandson by his daughter Jane.

Glenn Ford (1916 - 2006) was a Canadian-American actor who was one of the biggest box office draws for three decades. Ford acted on stage in California before being signed to a contract with Columbia Pictures. He appeared in mostly B movies until The Lady in Question (1940), the first time he was paired with fellow Columbia contract player, Rita Hayworth. After serving in the Coast Guard during World War II, Ford’s career began to take off. He and Hayworth had a huge hit with Gilda (1946) and A Stolen Life (1946) with Bette Davis. Ford came into his own in the 1950s with films like Blackboard Jungle (1955), Interrupted Melody (1955) with Eleanor Parker, Jubal (1956), and The Fastest Gun Alive (1956) with Jeanne Crain, all box office successes. By the end of the decade, Ford was one of the biggest stars in the world. Ford continued making movies in the 1960s but his successes were more uneven than in the previous decade but had hits with Experiment in Terror (1962) and The Courtship of Eddie’s Father  (1963). In 1978, he played Clark Kent’s adoptive father in Superman. His last film role was Raw Nerve (1991).

Gene Tierney, Glenn Ford, and Ethel Barrymore

Ethel Barrymore (1879 - 1959) was an American stage and film actress and part of the famous Barrymore family of actors. Her equally famous brothers were Lionel and John Barrymore. Barrymore got her start on the stage and she was among its brightest stars for many years. Barrymore also had a successful career on the other side of the Atlantic in London, where she starred in Peter the Great. She achieved one of her biggest Broadway successes in W. Somerset Maugham’s comedy, The Constant Wife (1926). Barrymore was a popular character actress in film during the 1940s. She won the Academy Award for Best Supporting Actress for her performance in None but the Lonely Heart (1944) opposite Cary Grant, who played her son. Other film roles include The Spiral Staircase (1946), The Paradine Case (1947), and Pinky (1949).

Zachary Scott (1914 - 1965) was an American actor on stage and most notably in film. He made his film debut in the film noir The Mask of Dimitrios (1944). As a contract player at Warner Bros., Scott was the perfect slick, film noir villain. Before his career in film noir took off, he starred in The Southerner (1945) directed by Jean Renoir. It would be his role as Monty Beragon in Mildred Pierce (1945) that would be his most enduring role with film fans. Scott worked in film, stage, and television until 1963. He died of a malignant brain tumor.

Gene Tierney in a costume test for the film, with the scenes listed for when it would be worn.

The Secret of Convict Lake trivia:

• Dana Andrews and Linda Darnell were originally set to star as Jim Canfield and Marcia Stoddard respectively.
• The story is fictional but it is inspired by a real incident where a posse had a shoot-out with escaped convicts from the Carson City prison. Convict Lake is a real place in California that was named after the incident.
• This was actress Ann Dvorak’s last film role

Click HERE to watch the movie on YouTube.

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Discussion questions

1. What do you think the film’s major theme is? Does it have one in your opinion?
2. Were you surprised by women’s roles in the film?
3. The film features a great cast of supporting actresses. Did one actress’s performance stick out to you more than the others?
4. Did Gene Tierney and Glenn Ford have good on-screen chemistry?
5. Did this movie remind you of other films you’ve seen?